Taking a risk on an emerging superstar may prove enormously rewarding and lucrative or it may turn out to be a complete bust.
Contemporary Art: A Decorative Collectible or An Asset to be Invested and Traded? This is a timeless question and I believe the answer is subject to the perspective of the individual. Recently Jeff Koons’ 1986 [...]
The Art Fair is Alive and Thriving As an avid art collector and fair goer, I was curious to experience Art Basel’s Hong Kong rendition given all the recent commentary about art fair fatigue, dilution [...]
Mark Tobey: An Update With the opening of the highly praised solo exhibition at Pace Gallery, Mark Tobey, collectors and audiences have begun to question why one of the best known and internationally respected artists [...]
Focusing on established but under-appreciated artists enables us to avoid the speculation and risks that come with chasing the “white hot” up-and-coming artists of the moment. As longtime gallerist Thea Westreich Wagner’s says, “Let’s get to the real issue: Sooner or later, the art world comes to its senses. Some artists look interesting for a period, maybe it’s a month or maybe it’s a year, but what happens is that things sort themselves out.”
It is hard, if not impossible, to find a major contemporary art museum anywhere in the western world that does not include a Chamberlain in their collection.